Category: Palazzo massimo

It is surprising to know that the Palazzo stands on the foundations of an ancient Roman theatre Domitian Odeon as the Romans built directly on the ruins of fallen constructs.

The interiors of the palazzo are ornamental with their decorative walls, coffered vaults and ceilings full of motifs but the exterior stone frames are simple with only plain ribbon detailing.

The building is lovely enough to have its own fan following though its contents comprise of very important antique statuary and frescoes. The architects guide to Rome describes Palazzo Massimo as original elegant architecture that has amazing detailing….

And about the priceless artefacts inside the museum…. Rome is a very old city and anytime a new civil project was undertaken involving digging artefacts were excavated and stored in the yard. In fact the palazzo Massimo has exhibits that state where and when it was discovered and sometimes by whom!!

This superbly designed neo renaissance style villa was actually used as a Jesuit college till The architect Camilo Pistrucci used a neo cinquecentesco style to create the palace.

It was widely hailed as one of the best and beautiful schools in Rome. The beautiful palazzo was falling into disrepair before the Italian government bought it for 19 million lire and gave it to the National Roman Museum.

The restoration work began in and finished in Subsequently the Palazzo Massimo became the leading branch of the national Roman Museum as well as the headquarters of the agency of ministry of cultural heritage and activities of Italy.

The focus of the museum is on showcasing the art of painters, goldsmith, mosaic artists, and sculptors etc. It is the only ranch out of the 4 of National Roman Museums to have an extensive numinastic collection. The layout of the numinastic section is interesting and very clear in explaining the significance of the collection.

The vault is lined all throughout with coins that deck the sides in a U formation. When you enter, the Early Roman bronze coins are what you see first. Each coin section is clearly marked and you will see coins of the Middle Republic, Late Republic, Civil War period so on. The imperial period groupings are also very interesting.

For example, there are coins of Crisis of 3 rd century, coins of the flavian dynasty. You will notice that the coins keep on including more gold progressively thus showing that the Roman society was accumulating more and more wealth.

There are coins off the Ostrogothic kingdom, the Byzantine kingdom and the later kingdoms of Italy till the modern era that includes the Italian lire, Euro and the computer demonstration of live European stock exchange. An observant visitor will be able to identify the high and low wealth periods of the Italian lands as the coins are sometimes gold, sometimes silver and sometimes in a range of other metals of different economic values.

This is the largest Numinastic collections in Italy. A linear entry would have been more in keeping with the theme of this nevertheless marvellous museum section. Another section in the basement is full of antique jewellery, hair nets spun with gold, ivory dolls and a very interesting mummy. The mummy is of a little girl…it is called the Girl of Grottarossa and she is poignantly shown clutching her doll in her hand. The Ground floor demonstrates the evolution of the art of making portraits as it was in the late Republican era to the beginning of the Catholic empire.

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Notice the progression of portraits of famous people from the family of Augustus to the statue of the emperor posing as Pope Maximus. The Augustus bust has the king pull his Toga over his head like a holy shawl …. The altar of Ostia Antica is also a remarkable exhibit…. There are many original Greek works here that were imported from Rome and one of the most remarkable of these is the Niobide from Horti Sallustiani.

Most people who visit the Massimo Palazzo know about its principal attraction; the glorious bronze statue of the Boxer at rest.

Palazzo Massimo: What To See & Do

The permanent address of this boxer is the Palazzo Massimo and if you are lucky enough to catch him here notice the fine attention to detail that has captivated the interest of curators.It shows exhibits from the pre- and early history of Rome, with a focus on archaeological findings from the period of Ancient Rome. Founded in and inaugurated inthe museum's first aim was to collect and exhibit archaeologic materials unearthed during the excavations after the union of Rome with the Kingdom of Italy.

The initial core of its collection originated from the Museo Kircheriano Kircherian Museumarchaeologic works assembled by the antiquarian and Jesuit priest, Athanasius Kircherwhich previously had been housed within the Jesuit complex of Sant'Ignazio. The collection was appropriated by the state inafter the suppression of the Society of Jesus.

Renamed initially as the Royal Museum, the collection was intended to be moved to a Museo Tiberino Tiberine Museumwhich was never completed. In the Italian state granted the National Roman Museum the recently acquired Collection Ludovisi as well as the important national collection of Ancient Sculpture.

Findings during the urban renewal of the late 19th century added to the collections. Ina ministerial decree sanctioned the division of the collection of the Museo Kircheriano among all the different museums that had been established over the last decades, such as the National Roman Museum, the National Etruscan Museum of Villa Giulia and the Museum of Castel Sant'Angelo.

Its seat was established in the charterhouse designed and realised in the 16th century by Michelangelo within the Baths of Diocletianwhich currently houses the epigraphic and the protohistoric sections of the modern museum, while the main collection of ancient art was moved to the nearby Palazzo Massimo alle Terme, acquired by the Italian state in The present building was commissioned by Prince Massimiliano Massimo, so as to give a seat to the Jesuit Collegio Romanooriginally within the convent of the church of Sant'Ignazio.

palazzo massimo

Inthe Collegio had been ousted from the convent by the government which converted it into the Liceo Viscontithe first public secular high school of Italy. Erected between and by the architect Camillo Pistrucci in a neo-cinquecentesco style, it was one of the most prestigious schools of Rome until During World War IIit was partially used as a military hospital, but it then returned to scholastic functions until the s, when the school was moved to a newer seat in the EUR quarter.

Inlying in a state of neglect, the Italian government acquired it for 19 billion lire and granted it to the National Roman Museum. Its restoration and adaptation began in and was completed in The palazzo eventually became the main seat of the museum as well as the headquarters of the Soprintendenza Speciale per i Beni Archeologici di Roma Agency of the Ministry of Cultural Heritage and Activities of Italy, in charge for the archaeological heritage of Rome.

The museum houses the ancient art sculpture, painting, mosaic work and goldsmith's craft from the Republican Age to the Late Antiquity as well as the numismatic collection, housed in the Medaglierei. The ground floor features the notable bronze statues of the Boxer at Rest and the Athlete. One room is devoted to the mummy that was found in on the Via Cassiainside a richly decorated sarcophagus with several artefacts in amber and pieces of jewellery also on display.

Sculptures of the period between the late Roman Republic and the early imperial period 2nd century BC to 1st century ADinclude. Frescoes, stuccoes and mosaics, including those from the villa of Liviawife of Augustusat Prima Porta on the Via Flaminia. It begins with the summer triclinium of Livia's Villa ad Gallinas Albas. The frescoes, discovered in and dating back to the 1st century BC, show a luscious garden with ornamental plants and pomegranate trees.

The Museum's numismatic collection is the largest in Italy. There is still a fresco on one wall of the rooms in the palazzo that celebrates the wedding of Girolamo to Caterina Sforza inshowing the silver plates and other wedding gifts given to the couple. When the Riario family began to decline after the death of Pope Sixtus IVthe palazzo was sold to Cardinal Francesco Soderini of Volterra, who commissioned further refinements from the architects Sangallo the Elder and Baldassarre Peruzzi.

Cardinal Altemps commissioned the architect Martino Longhi to expand and improve the palazzo; it was Longhi who built the belvedere. Cardinal Altemps accumulated a large collection of books and ancient sculpture. Though his position as the second son in his family meant Marco Sittico Altemps became a cleric, he was not inclined to priesthood. His mistress bore him a son, Roberto, made Duke of Gallese.The palace was designed by Baldassarre Peruzzi in on a site of three contiguous palaces owned by the old Roman Massimo family and built after arson destroyed the earlier structures during the Sack of Rome The entrance is characterized by a central portico with six Doric columnspaired and single.

Inside there are two courtyards, of which the first one has a portico with Doric columns as a basement for a rich loggia, which is also made of Doric columns. The column decorations gave the name to the palace, alle Colonne.

The recessed entrance portico differs from typical palazzo models such as exemplified by the Florentine Palazzo Medici.

palazzo massimo

In addition, there is a variation of size of windows for different levels, and the decorative frames of the windows of the third floor. Unlike the Palazzo Medici, there is no academic adherence to superimposition of orders, depending on the floor. For many centuries, this used to be the central post office of Rome, a Massimo family perquisite.

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To the left of the palace is the Palazzo di Pirro, built by a pupil of Antonio da Sangallo. The interior ceilings and vestibules are elaborately ornamented with rosettes and coffered roofs. The entrance ceiling is decorated with a fresco by Daniele da Volterrawho represented scenes from the Life of Fabio Massimothe supposed Roman founder of the Massimo family.

The chapel on the second floor was a room where the year-old Paolo Massimo, son of Fabrizio Massimo, was recalled briefly to life by Saint Philip Neri on March 16, The interior of the palace is open to the public annually only on that day. Other notable events in the palace of the 16th century including various intrafamilial murders.

From Wikipedia, the free encyclopedia. Landmarks of Rome. Lorenzo fuori le mura S. Agnese fuori le mura S. Agostino S. Anastasia al Palatino S. Andrea delle Fratte S. Andrea della Valle S. Antonio da Padova in Via Merulana S. Apollinare alle Terme Ss.

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Apostoli S. Balbina S. Bartolomeo all'Isola Ss. Bonifacio ed Alessio S. Camillo de Lellis S. Carlo al Corso S. Cecilia in Trastevere Ss. Celso e Giuliano S. Clemente Ss.Download the directions for the visit. Today it is the main of the four seats of the National Roman Museum.

Palazzo Massimo alle Terme

Exhibits are distributed on the four floors of the palace. The underground floor contains the Numismatic Section which holds fascinating examples of coinage and monetary systems from their origins in the eighth century B.

Intervista a Burro Studio – Comunicazione Visiva - Palazzo Massimo - Giovani Creativi

On the other three floors are various works of art representing a broad range of classical sculpture. Greek original in the workshop of Phidias.

Palazzo Massimo: world-class museum in Rome

There is also a section of rare bronzes. The final floor is dedicated to a wonderful collection of frescoes and mosaics, among them those of the triclinium of the villa of Livia and those of the Farnesina villa. These exhibits, that come from various locations around the city of Rome, represent the themes and styles that existed from the first century B. Monday, June 29, the 4 seats of the National Roman Museum will be open from Search in the site : search.

Ticket Office Buy your online ticket! Plan your visit Educational Tours Opening Hours Palazzo Massimo this site is into circuit : Card Palazzo Massimo Click on the pencil to take notes on your agenda!

Palazzo Massimo Roma.A Letter from Rome It is indeed a pleasure to announce the good news that he has graciously accepted my invitation. Welcome aboard, Roberto de Mattei! The six pairs of travertine columns delimit the Odeon, or music hall, of Emperor Domitian, on which the palace was built by Baldassarre Peruzzi between andafter the destruction of the domus antiqua in the Sack of Rome in In that terrible event, the Massimo family was struck particularly hard. The palace was set on fire, the rich collection of antiquities was dispersed, the daughters of Prince Domenico were violated and his son Giuliano died fighting against the Landsknechtethe German mercenary soldiers who sacked the city.

During those tragic days the religious symbols of the city of Rome and its most sacred memories were defiled. Pope Clement VII commissioned Michelangelo to paint the Last Judgment in the Sistine Chapel as if to immortalize the drama, which everyone considered as a chastisement from Heaven against the corruption of society and the men of the Church.

The palace was built during the Renaissance, but the atmosphere that one breathes when crossing the courtyards and climbing the staircases rich with bas-relief sculptures and ancient statues is that of the Counter-Reformation, due to a certain austerity which distinguishes it from other Roman palaces.

In the last two centuries the Casa Massimo was related to the royal houses of Savoy and the Bourbons. Although it was not a hereditary office, the post remained in the family into the 20th century. Each year on March 16, the miracle of Saint Philip Neri is commemorated in this palace, who in restored to life the young Paolo Massimo, son of Prince Fabrizio The conversion of the Florentine noble Giovanni Battista Salviati, husband of Porzia Massimo, had contributed to Philip Neri receiving widespread support from the Roman aristocracy.

After the death of her husband, Porzia founded the Dominican monastery of SS. On January 1,their year-old son Paolo came down with a fever, which lasted for 65 days and brought him close to death.

palazzo massimo

Meanwhile, Paolo, after receiving Extreme Unction from the parish priest of the nearby church of San Pantaleo, breathed his last. Philip arrived half an hour after he had died.

Prince Fabrizio told him from the staircase that it was all over. The saint, making his way through the weeping relatives, approached the lifeless body of the young man, pressed it to himself, prayed intensely for seven or eight minutes with the palpitations of the heart and the trembling of the body which was typical of him, and then sprinkled the body with holy water.

The saint, asking those present to leave, gave the youth a crucifix to hold, listened to his confession, and absolved him. Then, when everyone had returned to the room, he asked the youth whether he preferred to die so as to go to heaven. Paolo nodded. Olivieri, Romapp. The resurrection was apparent to all who witnessed it, and in his treatise on the canonization and beatification of the Servants of God, Pope Benedict XIV refers to this episode when he speaks of the miracles of the resurrection of the body, in order to explain that it is also possible to die a short time after having obtained the grace of resurrection De servorum Dei beatificatione et beatorum canonisatione, Liber IV, pars I, cap.

XXI, n. In Septemberwhen he was well over 80 years old, Prince Fabrizio Massimo had the joy of testifying at the canonization process of Philip Neri, who died on May 26 of that year.Late 1st century BC. Augustus as pontifex maximus. Portrait of Vibia Sabinawife of Emperor Hadrian. Portrait of Emperor Alexander Severus. Portrait of Sappho modern copy 16th—18th centuries after a Greek original, possibly an ancient bust reworked. Intaglio with the head of Athena Parthenos.

Bloodstone, Greek artwork, 1st century CE modern mount. Statue of a prince or dynast without crown, traditionnally thought to be a Seleucid prince, maybe Attalus II of Pergamon. Maenad dancing, detail from a base. Marble, modified copy of a Greek original of the late 5th century BC.

Representation of the lupercal : Romulus and Remus fed by a she-wolf, surrounded by representations of the Tiber and the Palatine. Dea Barberini : fresco with seated Venusrestored as a personification of Rome.

From Wikimedia Commons, the free media repository. It is dedicated to Greek and Roman sculpture, frescoes mosaics and Epigraphy. Portrait of Emperor Hadrian. Portrait of Antinous with crown. Portrait of Antinous. Potrait of Hypnos.

Head of Herakles. Sarcophagus with battle scene between Romans and Germans. Marble, Roman artwork, — CE. Actor playing a slave and wearing a comic mask. Bronze statuette, early 3rd century CE. Funerary relief representing a curule chair. Coloured ivory, Roman work, second half of the 2nd century CE.

Two-handled amphora-shaped balsamarium perfume flask. Purple glass, 1st-2nd centuries CE. Gold and glass paste, Roman artwork, 6th—5th centuries BC. Pavement mosaic with a bust of Dionysos. Roman artwork, 3rd century CE. Stamping mold in forme of a crescent moon, used for bricks and tiles. Bronze, date unknown. Circular stamping mold for bricks and tiles. Bronze, 3rd century CE.Log in to get trip updates and message other travelers.

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